The Hour before dark.
"When Nemo Raglan’s father is murdered in one of the most vicious killings of recent years, Nemo must return to the New England island he thought he had escaped for good, Burnley Island…and the shadowy farmhouse called Hawthorn. But this murder was no crime of human ferocity. What butchered Nemo’s father may in fact be something far more terrifying…something Nemo and his younger brother, Bruno, and sister, Brooke, have known since childhood. There are secrets buried on Burnley Island. Within the rooms of Hawthorn, beautiful Brooke Raglan has begun to go mad. She sees faces at the windows and wanders the night, trying to find what she believes is a monster. Bruno Raglan has wiped the memory of a terrible event from his mind. Now he compulsively picks apart Hawthorn and discovers that within its walls lies a forbidden secret. As he unravels the mysterious of his past and a terrible night of his childhood, Nemo witnesses something unimaginable, and sees the true face of evil while Burnley Island comes to know the unspeakable horror that grows in the darkness."-- [Goodreads[
Record details
- ISBN: 9780843950441
- ISBN: 0843950447
- Physical Description: p. ; cm.
- Publisher: Leisure Books, 2002.
Available copies
- 1 of 1 copy available at BC Interlibrary Connect. (Show)
- 1 of 1 copy available at Terrace Public Library.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Terrace Public Library | Cle (Text) | 001622679 | Adult Fiction | Volume hold | Available | - |
- Library Journal Reviews : LJ Reviews 2002 September #2
The brutal murder of his father brings Nemo Raglan back to the New England home of his childhood, where he joins his brother and sister in unraveling the mystery of their father's death and solving the frightening puzzle somehow connected to an old childhood game. The author of The Nightmare Chronicles constructs an eerie psychological tale of supernatural horror that builds suspense gradually as the characters slowly peel back the layers of their past and face the terrors of their shared childhood. Clegg approaches horror with a stark and vital simplicity that is utterly convincing. Fans of Stephen King and Dean Koontz will appreciate this atmospheric gem. For most horror collections. Copyright 2002 Cahners Business Information. - Publishers Weekly Reviews : PW Reviews 2002 September #1
Alongside the dominant stream of horror fiction that, at whatever level of artistic achievement, relies on shock and gore, runs a quieter stream that relies on atmosphere and inference for its unsettling effects (think Machen, Blackwood, sometimes Ramsey Campbell). Clegg (The Infinite; Naomi) has added a superior new title to this latter tradition, with a psychologically astute and genuinely shivery story of a young man who returns to his ancestral home on a remote island off Massachusetts. Nemo Raglan, a failed novelist, is back at Hawthorn, on Burnley Island, because his father, Gordie, has been found slaughtered in the family's smokehouse. Also at Hawthorn are Nemo's errant younger brother, Bruno, and their sister, Brooke, a high-strung artist who'd been living with Dad; the siblings' mother had disappeared from the family when they were children. The killer has, weirdly, left no traces and thus no clues; but then much about Hawthorn and the siblings is weird, particularly the game they played as children, a risky form of mind-projection taught them by their father, who used it as a POW, whereby they were able to explore worlds known and unknown. As brothers and sister get reacquainted and ponder the murder, the air grows tense but also dark. Nemo senses an unseen presence; is the house haunted? Clegg delves deep and precisely into the familial ties that bind but also sunder even as he celebrates the magical isolation of a New England island so adrift from the mainland as to be its own planet. Suspenseful and relentlessly spooky, told in economical prose yet peopled by characters as fully realized as one's own blood kin, this is at once the most artful and most mainstream tale yet from one of horror's brightest lights. (Sept.)