In this thought-provoking trio of new novels, Helen Phillips, Jo Baker and Chandler Baker immerse their readers in the dangers and anxieties inherent to modern womanhood.  

In The Need, Molly, a dedicated paleobotanist, works in a fossil quarry that yields baffling specimens, including unheard-of plant varieties and artifacts that are familiar yet utterly strange. The latter, which includes a Bible in which the text is recognizable with one unsettling difference, begin to draw tourists and conspiracy theorists to the site. At the same time, Molly is also an exhausted, nursing mother of two young children whose husband is out of the country on business. One night, Molly's world turns upside down when she discovers a masked intruder in her home who has a startlingly intimate familiarity with Molly's life.

Dabbling in the supernatural, Helen Phillips has created a fascinating plot through which she explores the deep, conflicting tensions surrounding modern motherhood, personal identity and the nature of our existence in the universe. Moreover, Phillips' novel will have a powerful, visceral impact on anyone who has parented young children. The Need will keep readers rapidly turning pages as Molly navigates conflicting emotions in a chillingly surreal landscape.

Jo Baker tackles a very different threat: sexual assault. In The Body Lies, a stranger attacks the unnamed narrator near her London home. Three years later, to escape the memory, the narrator seeks a university job in the isolated countryside north of London. Once there, she meets her creative writing students, including a troubled young man named Nicholas Palmer who insists he is writing experimental "art" in which he only writes "the truth." While struggling with an impossible workload, a young son and a strained marriage, the narrator becomes increasingly concerned for and disconcerted by Nicholas, as she becomes a character in his distorted version of the truth. All the while, a sense of danger and mystery pervades the novel in the form of a frozen corpse left in the countryside.

Baker (Longbourn) boldly and refreshingly insists on changing the narrative surrounding sexual assault. The Body Lies is not another story of a silent, naked, dead girl. Rather, Baker brilliantly weaves in Nicholas' concept of truth and shows how it plays out in his writing, so the narrator's ability to voice her own truth creates a powerful contrast. Indeed, this novel is the story of a survivor, not a victim.

In Whisper Network, Chandler Baker takes on sexual harassment in corporate America. Sloane, Ardie and Grace are in-house lawyers working for a Dallas-based athleisure apparel company. When the CEO suddenly dies, it becomes clear that Ames Garrett will most likely fill the role. Ames, however, has a well-earned reputation, whispered among female employees, for sexually harassing and assaulting women in the workplace for over a decade. Moreover, he shows no signs of stopping, if his actions toward the newest employee are any indicator. Sloane, Ardie and Grace must decide whether to bring Ames' actions to light before his promotion. Unforeseeable consequences of their choice soon threaten all three women.

Baker has written a bitingly funny yet insightful novel detailing the pitfalls of being a woman in corporate America today. Throughout this well-crafted novel, Baker tells the story primarily through dialogue but also employs deposition and police interview transcripts. This structure creates a delicious sense of suspense that will keep the reader guessing. It's the perfect choice for book clubs seeking an entertaining book that will stimulate thought-provoking discussion.

A woman confronts an intruder—and her own motherhood—in this gripping, shape-shifting second novel from Phillips (The Beautiful Bureaucrat). With her husband out of the country, paleobotanist Molly is home with their two young children when she hears footsteps coming from the living room. She's ready to dismiss it as house noise and put the kids to bed until her daughter asks, "Who's that guy?" The answer will shake Molly to the core and send her down a metaphysical rabbit hole that reads like a fever dream of every mother's fears. Molly is convinced the fossil quarry she is helping to excavate has unleashed a sinister force and that one of the found objects—a Bible that suggests God is female—has led some suspicious visitors to the site. Whether Molly's true enemy is real or a manifestation of her deepest anxieties is a lingering question that Phillips, with incisive detail and linguistic dexterity, suggests comes with the territory of parenthood. VERDICT Is this literary work a story of magical realism, a straight-up horror novel featuring home invaders and shadow-selves, or a product of Molly's exhausted imagination? Of course, it's all of the above and makes for an unforgettable—and polarizing—reading experience. [See Prepub Alert, 1/23/19.]—Michael Pucci, South Orange P.L., NJ

Phillips (The Beautiful Bureaucrat) delivers an unforgettable tour de force that melds nonstop suspense, intriguing speculation, and perfectly crafted prose. While excavating a fossil quarry, paleobotanist Molly Nye and her colleagues find plant fossils unconnected to all previously identified species and random objects—a Bible describing God as "she," a toy soldier with a monkey's tail, a Coke bottle with a backwards-tilting logo—with odd, seemingly pointless differences from their everyday counterparts. She feels uneasy when news of the Bible draws gawkers to the site, but anxiety is no stranger to Molly; balancing work with her nursing baby and feisty four-year-old, she struggles with "apocalyptic exhaustion" and a constant fear that disaster is about to strike her kids. While her musician husband, David, is performing abroad, real danger arrives in the form of a black-clad intruder, who wears the gold deer mask David gave Molly for her birthday and knows intimate details of Molly's life. As the stranger's mask comes literally and figuratively off en route to a startling conclusion to their confrontation, Molly veers between panic, appeasement, and empathy for an "other" whose story is uncannily like her own except in its tragedies. Structured in brief, sharply focused segments that shift back and forth in time, the novel interrogates the nature of the self, the powers and terrors of parenting, and the illusions of chronology. Yet it's also chock-full of small moments—some scary, some tender, some darkly witty—that ground its cerebral themes in a sharply observed evocation of motherhood. With its crossover appeal to lovers of thriller, science fiction, and literary fiction, this story showcases an extraordinary writer at her electrifying best. Agent: Faye Bender, the Book Group. (July)